Luv’ – Lots Of Luv’ (LP) (1979) – €10,00
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Luv’ were a Dutch girl group that scored a string of hit records in Continental Europe, in the late 1970s and early 1980s.
The original members were Patty Brard, José Hoebee and Marga Scheide. In 1979, Luv’ was ‘Holland’s best export act’ and thus received the Conamus Export Prize.
In the second half of 1978, Luv’ reached fame in a large part of Europe and South Africa thanks to the success of smash hits like “You’re the Greatest Lover”, “Trojan Horse” and the With Luv’ album.
The release party of the second LP (entitled Lots of Luv’) took place at the Lido Club in Amsterdam in May 1979.
Two songs from this opus were released as singles: “Casanova” and “Eeny Meeny Miny Moe” (inspired by Boney M.’s 1978 song “Rasputin”).
Lots of Luv’ is the second album by Dutch girl group Luv’, released in May 1979 by Philips Records/Phonogram.
It features the hit singles Casanova (a Top 10 song in a large part of Continental Europe) and Eeny Meeny Miny Moe, which maintained Luv’s position as the best Dutch export act of 1979.
Side one
- Casanova – 3:50
- Eeny Meeny Miny Moe – 2:54
- D.J. – 3:20
- Shoes Off (Boots On) – 3:06
- Marcellino – 3:15
- Dandy – 2:46
Side two
- The Night Of Love – 3:32
- Money, Honey – 3:16
- I.M.U.R. – 3:35
- I Like Sugar Candy Kisses – 3:36
- If You Love Me – 2:34
- Saint Tropez – 3:04
Companies, etc.
- Pressed By – Phonodisc B.V.
- Published By – Banananas Music
- Lacquer Cut At – Phonodisc B.V.
Credits
- Arranged By, Conductor – Piet Souer
- Concept By, Photography By – Claude Vanheye
- Management – Interlinde Management
- Music By, Lyrics By – Janschen & Janschens
- Producer – Hans van Hemert
Notes
Release: 1979
Format: LP, Vinyl
Genre: Pop
Label: Philips Records
Catalog# 6423117
Vinyl: Goed (VG)
Cover: Goed (VG)
Prijs: €10,00
Brotherhood Of Man – Greatest Hits-Les Grands Succes De… (LP) (1976) – €7,00
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Brotherhood of Man are a British pop group who achieved success in the 1970s. They won the 1976 Eurovision Song Contest with “Save Your Kisses for Me”.
Created in 1969 by songwriter and record producer Tony Hiller, Brotherhood of Man was initially an umbrella title for a frequently-changing line-up of session singers.
Early on, they scored a worldwide hit with the song “United We Stand”. By 1973 the concept had run its course and Hiller formed a definite four-member line-up consisting of Martin Lee (born Martin Barnes 26 November 1946 in London), Lee Sheriden (born Roger Pritchard 11 April 1944 in Bristol), Nicky Stevens (born Helen Maria Thomas 3 December 1949 in Carmarthen and Sandra Stevens (born 23 November 1944 in Leeds).
In addition to This version of the group went on to score many hits around the world in the mid to late 1970s.
This compilation album contains the hit periode 1974-1976, and songs from their albums: “Good Things Happening” and “Love And Kisses From Brotherhood Of Man”.
Side one
- Kiss Me, Kiss Your Baby – 3:05
- Let’s Love Together – 2:59
- Spring Of 1912 – 3:03
- Lady Lady Lady Lay – 3:00
- When Love Catches Up On You – 2:59
- Be My Loving Baby – 3:14
Side two
- Save Your Kisses For Me – 3:02
- Dream On – 2:55
- Tugging – 3:38
- Movin’ With Susan – 2:32
- Sweet Lady From Georgia- 2:42
- Lady – 3:29
Companies, etc.
- Distributed By – Vogue P.I.P.
- Printed By – Imprimerie De Saint-Michel, Saint-Michel-sur-Orge
- Pressed By – Manufacture De Productions Phonographiques Vogue
Credits
- Music Director – Colin Fletcher (tracks: A4, A6, B3, B4, B5), Graham Prescott (tracks: B1), Lee Sheriden (tracks: A1, A2, A3, A5, B2, B6)
- Photography By – B. Baudet
- Producer – Tony Hiller
Notes
Release: 1976
Format: LP, Vinyl
Genre: Pop
Label: PYE Records
Catalog# PY 28067
Vinyl: Goed (G)
Cover: Lichte Gebruikerssporen(G)
Prijs: €7,00
Harry Sacksioni – Harry Sacksioni: Gitaar (LP) (1975) – €10,00
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Harry Sacksioni (Amsterdam, 23 oktober 1950) is een Nederlands gitarist.
Hij werd in de jaren zeventig bekend om zijn akoestisch gitaarspel, dat hij vooral door zijn samenwerking met Herman van Veen onder de publieke aandacht kon brengen.
Zijn composities spreken, bij gitaristen en anderen, zeer tot de verbeelding.
Beroemde stukken zijn onder meer Meta Sequoia, Vensters, Elixer, Thee bij tante Josephine, Bello en Paddentrek.
Verreweg het meeste van zijn oeuvre bestaat uit eigen composities, van een hoofdzakelijk instrumentaal karakter. Reeds vanaf zijn eerste plaat “Harry Sacksioni: Gitaar” (1975) liet hij zich bij zijn gitaarcomposities door andere instrumenten begeleiden, variërend van een banjo, viool of tuba tot een band, orkest of menigte autoclaxons.
“Huiswaarts” is een duivels meesterwerk om te componeren en dan ook op die manier te spelen!
En in hetzelfde rijtje staan ook “Elixer” en “Meta Sequoia” als toppers van dit album.
“Goofy” is ironisch maar ook weer meesterlijk gecomponeerd en je wordt er bij het luisteren zelf ook sloom van.
Side one
- Flixer
- Scarborough Fair
- Meta Sequoia
- Lappenballerina
- Hagelslag
- Goofy
Side two
- Thee Bij Tante Josephine
- Huiswaarts
- Tranen
- De Vlechters
- Kleedkamer
- Breekbaar
Companies, etc.
- Produced At – Phonogram Studios Hilversum
- Made By – Van De Steeg
- Printed By – Van De Steeg
Credits
- Arranged By [Strings] – Erik Van Der Wurff
- Compiled By – Harry Sacksioni
- Design – Anja Kiekens
- Musician – Benny Behr, Erik Van Der Wurff, Guus Hautvast, Herman van Veen, Leo Vleeshouwer, Marien Van Staalen, Sem Nijveen
- Photography By – Gerard Jongerius, Rob Chrispijn
- Producer – Rob Chrispijn
- Technician – Pieter Nieboer
Notes
Release: 1975
Format: LP, Vinyl
Genre: Pop, Acoustic
Label: Harlekijn Holland Produkties
Catalog# 2441503
Vinyl: Goed (VG)
Cover: Goed (VG)
Prijs: €10,00
The Cats – Love In Your Eyes (1974) – €10,00
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(The) Love in your eyes is een muziekalbum van The Cats uit 1974 (Nederland, in de VS in 1973).
De elpee was de eerste plaat die een Volendamse band in de Verenigde Staten opnam, te weten in Los Angeles. De elpee werd in 38 landen uitgebracht.
Op de elpee stond een van de grootste hits van The Cats ooit, Be my day, die zes weken op nummer 1 van de Nederlandse Top 40 stond. Het album zelf stond drie weken op nummer 1 van de Album Top 100, waar het bij elkaar twaalf weken in stond. Het behaalde de goudstatus.
Op de elpee stonden vijf nummers van Arnold Mühren en Piet Veerman in een nieuwe versie en verder nog een nummer van Cees Veerman. Anders dan bij de andere albums uit de afgelopen succesvolle jaren stond op dit album opnieuw werk van andere schrijvers dan van de bandleden zelf.
Het boek Lost on Larrabee – The ‘Love in your eyes’ recordings in L.A. van Johan Tol en Michel Veerman uit 2014 heeft de opnames van dit album in Hollywood tot onderwerp. Lost on Larrabee is het café dat zich tegenover de Larrabee-studio’s bevond. De productie lag in handen van Al Capps en in de VS werd het album uitgebracht door het label Fantasy van Snuff Garrett.
Side one
- Be My Day – 3:00
- A Clown Never Cries – 2:25
- If You’ll Be My Woman – 4:07
- Love In Your Eyes – 2:24
- Saturday Mornings And The Western Show – 3:17
- Let’s Dance – 2:32
Side two
- If You’re Gonna Tangle (In A Love Triangle) – 2:45
- She’s On Her Own – 3:33
- Time Machine – 3:08
- One Way Wind – 3:31
- Moonchild – 2:14
- A Letter – 3:31
Companies, etc.
- Made By – Habo
- Manufactured By – Bovema
- Recorded At – Larrabee Sound Studios
- Produced For – Bovema
- Lacquer Cut At – CBS, Haarlem
Credits
- Artwork – Jan Fijnheer
- Bass – Reinie Press
- Drums – John Raines
- Engineer – Lenny Roberts
- Guitar – Ben Benay, Craig Fall
- Keyboards – Larry Muhoberac, Michael Omartian, Thomas Hensley
- Percussion – King Errisson
- Photography By – George Van De Wijngaard
- Producer, Arranged By – Al Capps
- Saxophone – Johnny Rotella
- Steel Guitar – Buddy Emmons
- Trumpet – Charles Findley, Dalton Smith, Paul Hubinon
- Vocals [Uncredited, shown on cover] – Piet Keizer
- Woodwind – Earle Dumler, Robert Hardaway
Notes
Released: 1974
Format: LP, Vinyl
Genre: Palingpop
Label: EMI Records
Catalog# 5C 062-25100
Vinyl: Goed (VG)
Cover: Goed (VG)
Prijs: €10,00
Mary Martin & John Raitt – Annie Get Your Gun (OST) (1957) – €5,00
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The two stars compliment each other superbly. Ms. Martin is a different Annie from Ethel Mermanz, and brings he own star quality performance to the role. Mr. Raitt as always is a superior vocalist who always brings his game to anything he sings. An enjoyable recording of Mr. Berlin’s classic musical.
Mary Martin and Ethel Merman ranked as the two most important female performers in the Broadway theater from the 1930s to the 1960s.
But they almost never played the same part. The exception is the role of Annie Oakley in Annie Get Your Gun. Merman originated the part on Broadway in 1946; Martin headed the national tour that began in 1947. The two had completely different styles, and they approached the role completely differently.
Merman was brassy and matter-of-fact. Possessed of a clarion voice, she made each of her characterizations oversized and overpowering. Martin always seemed as much a soubrette as a leading lady, using her warm, intimate voice with its rounded tones to achieve a kittenish, lightly comic tone. Accordingly, Merman’s Annie Oakley emphasized the character’s blunt, competitive side, which made it so hard for her to win the love of Frank Butler.
Martin’s Annie had a more subtle appeal. Employing more than usual of her native Texas twang, Martin gave a good-humored performance that brought out the character’s conflict between independence and romantic longing.
Merman’s portrayal was immortalized on the original Broadway cast album in 1946, but it took until 1957 for Martin to get her version on record.
Ten years after she had toured the country in the show, Martin was engaged to record an album, perform in a West Coast tour, and do a live television broadcast, in that order. Her co-star was John Raitt, another Broadway veteran who had played Frank Butler in summer stock.
Their album, recorded on September 16, 1957, might as well be billed as a duo album rather than as a TV soundtrack, since it features only the two leads, backed by a chorus and orchestra.
Songs written for secondary players have been eliminated so that, for example, “Who Do You Love, I Hope?,” one of the show’s hits, is missing.
But both Martin and Raitt, who has a strong, clear tenor, are marvelous, and they are also marvelous together on “They Say It’s Wonderful,” “Anything You Can Do,” and “There’s No Business Like Show Business.”
This may not be a true soundtrack/cast album, but it chronicles one of the two major interpretations of the part of Annie Oakley in Annie Get Your Gun, and for that it is an important part of musical theater history.
Side one
- Orchestra – Overture
- John Raitt – I’m A Bad, Bad Man
- Mary Martin And Girls – Doin’ What Comes Natur’lly
- John Raitt – The Girl That I Marry
- Mary Martin – You Can’t Get A Man With A Gun
- Mary Martin And Girls – Moonshine Lullaby
- Mary Martin And John Raitt – They Say It’s Wonderful
Side two
- John Raitt And Men – My Defenses Are Down
- Mary Martin And Chorus – I’m An Indian Too
- Mary Martin – I Got Lost In His Arms
- Mary Martin – I Got The Sun In The Morning
- Mary Martin And John Raitt – Anything You Can Do
- Mary Martin, John Raitt And Chorus – There’s No Business Like Show Business (Finale)
Companies, etc.
- Made By – His Master’s Voice (NZ) Limited
- Printed By – CSW Ltd.
Credits
- Author [Book By] – Dorothy Fields, Herbert Fields
- Co-producer [In Association With] – Richard Halliday
- Music By, Lyrics By – Irving Berlin
- Music Director [Musical Direction By] – Louis Adrian
- Producer – Edwin Lester
- Vocals – John Raitt (tracks: A2, A4, A7, B1, B5, B6), Mary Martin (tracks: A3, A5 to A7, B2 to B6)
Notes
Released: 1957
Format: Vinyl, LP, Album, Mono
Genre: Stage & Screen
Style: Musical
Label: Capitol Records
Catalog# W-913
Vinyl: Lichte Gebruikerssporen (G)
Cover: Achterkant Lichte Gebruikerssporen (G)
Prijs: €5,00
Udo Jürgens – Immer Wieder Geht Die Sonne Auf (LP) (1971) – €5,00
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Jürgen Udo Bockelmann (30 September 1934 – 21 December 2014), better known as Udo Jürgens, was an Austrian composer and singer of popular music whose career spanned over 50 years.
He won the Eurovision Song Contest 1966 for Austria, composed close to 1,000 songs, and sold over 104 million records.
“Immer Wieder Geht Die Sonne Auf” is a compilation album released in 1971.
Side one
- So Weit Die Züge Gehn – 3:05
- Mary Ann – 2:13
- Matador – 2:46
- Spiel, Zigan – 3:40
- Indra – 3:54
- Es Wird Nacht, Senorita (Le Rossinol Anglais) – 2:13
Side two
- Immer Wieder Geht Die Sonne Auf – 3:04
- Babuschkin – 3:16
- Was Wirklich Zählt Auf Dieser Welt – 2:45
- Do Swidanja – 4:11
- Schneerose – 2:39
- Auf Wiedersehn Und Dankeschön – 2:32
Companies, etc.
- Record Company – Ariola-Eurodisc-Benelux N.V.
- Pressed By – CBS, Haarlem
Credits
- Design – H. Priedöhl
- Photography – Ariola-München
Notes
Released: 1971
Format: Vinyl, LP, Compilation
Genre: Duitstalig, Schlager
Label: Ariola Records
Catalog# 80999 HT
Vinyl: Goed (VG)
Cover: Voorkant Kleine Schuur
Prijs: €5,00
The Whispers – Love For Love (LP) (1983) – €10,00
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Love for Love is the fourteenth studio album by the American R&B/Soul vocal group the Whispers, released in 1983 by SOLAR Records.
The bouncy, irresistible “Tonight” gets this reissue off and flying. Originally released in 1983, Love for Love dissects, analyzes, and emotes on relationships via a solid set of love songs.
These nine meaty tunes include the spunky “Keep on Lovin’ Me,” a staple of their live show, and “Do They Turn You On,” a scintillating ballad written by Caldwell.
Here’s a tip: Go straight to the songs penned by Caldwell on Whispers’ albums, the guy writes gems; a Whispers album featuring Caldwell songs only is overdue.
The title track, “Had It Not Been for You,” and “Try It Again” are jazzy, piano-tinkling torchers that are even more enjoyable with your boo, a glass of wine, and soft lights.
Side one
- Tonight – 5:46
- Keep On Lovin’ Me – 5:50
- Love For Love – 4:25
- This Time – 5:22
Side two
- Had It Not Been For You – 4:10
- Try It Again – 3:47
- Do They Turn You On – 5:20
- Keep Your Love Around – 4:06
- Lay It On Me – 3:57
Personnel
- Wallace Scott
- Walter Scott
- Gordy Harmon
- Marcus Hutson
- Nicholas Caldwell
Companies, etc.
- Record Company – Warner Communications
- Distributed By – Elektra/Asylum Records
- Manufactured By – Elektra/Asylum Records
- Made By – WEA Musik GmbH
- Phonographic Copyright ℗ – Solar records
- Copyright © – Solar records
- Recorded At – The Automatt
- Recorded At – Studio Masters, Los Angeles, CA
- Recorded At – United Western Studios
- Mastered At – Capitol Mastering
- Pressed By – Record Service Alsdorf
Credits
- Art Direction, Design – Denise Minobe, Norm Ung
- Concept By [Album] – Leaveil Degree
- Illustration [Cover] – Jane Van Tamelen
- Management, Coordinator – Dina Andrews
- Management, Coordinator, Concept By [Album] – Carmen Davis
- Photography By – Bobby Holland
Notes
Release: 1983
Format: LP, Vinyl
Genre: Soul, Solarsound
Label: Solar Records
Catalog# 960216-1
Vinyl: Goed (VG)
Cover: Goed (VG)
Prijs: €10,00
Vangelis – Soundtrack – Chariots Of Fire (LP) (1981) – €10,00
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Chariots of Fire is a 1981 musical score by Greek electronic composer Vangelis (credited as Vangelis Papathanassiou) for the British film Chariots of Fire, which won four Academy Awards including Best Picture and Original Music Score.
The film score combines styles from across the musical spectrum including prog-rock, symphonic classical music and new age.
Vangelis’ electronic score for a film set in 1930s Britain seemed an odd match at first, but the title theme, with its echoing, manipulated rhythm box and melodic hook, became one of the most popular theme songs of the early ’80s.
Just hearing the opening 30 seconds conjures up — for those who have seen the film — shots of men running on the beach in slow motion, and has been borrowed, adapted, and ripped-off ever since. Suffice it to say that the other six tracks here can’t quite match the punch (if that’s the word for something so fey) of the title theme.
Much of the rest is very sappy, if often melodic, proto-smooth jazz with a burnish of electronic screeches, washes, and fuzzy fake strings.
If it works for the insular “Five Circles,” it doesn’t for “100 Metres,” which so desperately wants to be Elgar’s “Pomp and Circumstance” but can’t quite get there with its watery synths — suddenly you realize what a full orchestral arrangement could have added.
Side two is a side-long “suite” of the themes on side one, created, one feels, to fill up space. Vangelis went on to snag more soundtrack work, notably Blade Runner.
Side one
- Vangelis – Titles – 3:34
- Vangelis – Five Circles – 5:21
- Vangelis – Abraham’s Theme – 3:21
- Vangelis – Eric’s Theme – 4:19
- Vangelis – 100 Metres – 2:05
- The Ambrosian Singers – Jerusalem – 2:47
Side two
- Vangelis – Chariots Of Fire – 20:40
Companies, etc.
- Phonographic Copyright ℗ – Spheric B.V.
- Phonographic Copyright ℗ – Warner Bros. Inc.
- Copyright © – Polydor Ltd. (UK)
- Copyright © – Polydor Ltd.
- Published By – Spheric B.V.
- Published By – Warner Bros. Music Ltd.
- Published By – Harry Rabinowitz M/S
- Recorded At – Nemo Studios
- Lacquer Cut At – Strawberry Mastering
- Pressed By – PRS Ltd.
Credits
- Arranged By – Harry Rabinowitz (tracks: A6)
- Artwork – Main Titles Ltd.
- Composed By, Arranged By, Producer [Produced By], Performer [Performed By] – Vangelis (tracks: A1 to A5, B)
- Conductor [Director] – John McCarthy (tracks: A6)
- Engineer [Engineered By] – John Walker, Raine Shine, Raphael Preston
- Performer [Performed By] – The Ambrosian Singers (tracks: A6)
- Sleeve, Art Direction, Design – Alwyn Clayden
- Written-By – Parry (tracks: A6)
Notes
Release: 1981
Format: LP, Vinyl
Genre: Ambient, Synth-pop
Label: Polydor Records
Catalog# 2383602
Vinyl: Goed (VG)
Cover: Goed (VG)
Prijs: €10,00
The Valentine Brothers – First Take (LP) (1983) – €10,00
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The Valentine Brothers were an American recording act in the late 1970s and 1980s, comprising brothers John and William “Billy” Valentine. One of their biggest hits, as singers and songwriters, was “Money’s Too Tight (to Mention)“, which reached no. 41 in the R&B chart in 1982 and was later recorded with greater worldwide success by Simply Red.
The brothers were born in Columbus, Ohio. Billy Valentine performed as a singer with Young-Holt Unlimited in the mid-1970s, before joining with his brother John to begin performing as The Valentine Brothers in 1975.
Starting in 1977, they began a three-year stint as part of the touring company of The Wiz musical. Their first self-titled album was issued by Source Records in 1979, and their second album, First Take in 1982, featured the single “Money’s Too Tight (to Mention)”, written by the duo and produced by Bobby Lyle.
The record spent 14 weeks on the Billboard R&B chart, reaching no. 41. The following year, another track from the album, “Let Me Be Close To You”, also reached the R&B chart.
Side one
- Overture – 2:28
- Money’s Too Tight (To Mention) – 6:00
- This Kind Of Love (Is So Special) – 6:25
- I’ll Make You Happy – 7:09
Side two
- Let Me Be Close To You – 6:40
- Just Another Love Song – 4:59
- Money’s Too Tight (To Mention) (Instrumental) – 5:16
- Overture (Reprise) – 1:48
Companies, etc.
- Produced For – JWS Productions
- Phonographic Copyright ℗ – Bridge Records, Inc.
- Published By – Stan
- Published By – Flo Music
- Recorded At – Lion Share Recording Studios
- Pressed By – PRC Recording Company, Compton, CA
Credits
- Co-producer – Bobby Lyle
- Drum Programming [Lm-1] – Roger Linn (tracks: A4)
- Drums, Percussion – Raymond Pounds (tracks: A3, A4)
- Executive-Producer – Stanley Bethel
- Keyboards [Fender Rhodes], Piano, Synthesizer [Mini Moog, Prophet 10] – Bobby Lyle
- Producer – William Valentine, John Valentine
- Tenor Saxophone, Soloist – Gary Herbig (tracks: A2, B3)
- Written-By – William Valentine, John Valentine
Notes
Release: 1983
Format: LP, Vinyl
Genre: Soul
Label: Energy Records
Catalog# ENL-3624
Vinyl: Goed (VG)
Cover: Goed (VG
Prijs: €10,00
Ladysmith Black Mambazo – Shaka Zulu (LP) (1987) – €5,00
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Shaka Zulu is a 1987 album by South African a cappella group Ladysmith Black Mambazo.
Ladysmith Black Mambazo are a light and pleasant choral group, yet demonstrate none of the requisite complexity, interest, edge, intellect, or virtuosity, to earn acclaim as singular or significant musical artists.
Though Paul Simon is a respectable and successful songwriter, he has been known to fall into the trap of ‘easy-listening’.
‘Shaka Zulu’ does absolutely sound like an album by Paul Simon’s backing vocalists. ‘Graceland’ was the man’s strongest work post-Garfunkel, but it was his songwriting that buoyed it.
Following the collaboration on Paul Simon’s 1986 album Graceland which brought the group to international prominence, Shaka Zulu (produced by Simon) marked the band’s first genuine international hit.
Shaka Zulu was a collection of newly recorded versions of older Mambazo hits, such as “Unomathemba”, “Hello My Baby” and “Lomhlaba Kawunoni”.
Shaka Zulu won a Grammy in 1988 for Best Traditional Folk Recording.
The album was also featured in Robert Dimery’s 2006 musical reference book 1001 Albums You Must Hear Before You Die.
Side one
- Unomathemba – 3:46
- Hello My Baby – 3:07
- At Golgotha – 3:58
- King Of Kings – 4:05
- The Earth Is Never Satisfied – 2:54
Side two
- How Long? – 3:05
- Home Of The Heroes – 3:12
- These Are The Guys – 4:38
- Rain, Rain, Beautiful Rain – 2:18
- Who Were You Talking To? – 5:32
Companies, etc.
- Record Company – Warner Communications
- Phonographic Copyright ℗ – WEA International Inc.
- Copyright © – WEA Records Ltd.
- Published By – Copyright Control
- Manufactured By – Record Service GmbH
- Made By – WEA Musik GmbH
- Pressed By – Record Service Alsdorf
Credits
- Composed By – Joseph Shabalala
- Design [Assisted By] – Andrew Biscomb
- Design [Sleeve Design] – Peter Barrett
- Engineer – Roy Halee
- Lacquer Cut By – JK
- Liner Notes [Inner Sleeve] – Joseph Shabalala
- Photography By – Ethan Russell
- Producer – Paul Simon
Notes
Released: 1987
Format: Vinyl, LP, Album
Genre: Folk, World, & Country
Style: Vocal, African
Label: Warner Bros. Records
Catalog# 925 582-1
Vinyl: Lichte Gebruikerssporen (G)
Cover: Goed (VG)
Prijs: €5,00