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December 21, 2016

Queen – A Day At The Races (1976) – Lp

by Record Facts

Queen are a British rock band that formed in London in 1970. Their classic line-up was Freddie Mercury (lead vocals, piano), Brian May (lead guitar, vocals), Roger Taylor (drums, vocals), and John Deacon (bass guitar). Queen’s earliest works were influenced by progressive rock, hard rock and heavy metal, but the band gradually ventured into more conventional and radio-friendly works by incorporating further styles, such as arena rock and pop rock, into their music.

queen-a-day-at-the-races

 

 

 

 

 

 

 

 

 

 

 

Artist:  Queen
Title:  A Day At The Races
Year:  1976
Format:  LP
Label:  EMI Records
Catalog#  5C 062-98485

A Day at the Races is the fifth studio album by the British rock band Queen, released on 10 December 1976. It was the band’s first completely self-produced album, and the first not to feature producer Roy Thomas Baker. Recorded at Sarm East, The Manor and Wessex Studios in England, A Day at the Races was engineered by Mike Stone. The title of the album followed suit with its predecessor A Night at the Opera, taking its name from the subsequent film by the Marx Brothers.
In every sense, A Day at the Races is an unapologetic sequel to A Night at the Opera, the 1975 breakthrough that established Queen as rock & roll royalty. The band never attempts to hide that the record is a sequel — the two albums boast the same variation on the same cover art, the titles are both taken from old Marx Brothers films and serve as counterpoints to each other. But even though the two albums look the same, they don’t quite sound the same, A Day at the Races is a bit tighter than its predecessor, yet tighter doesn’t necessarily mean better for a band as extravagant as Queen. One of the great things about A Night at the Opera is that the lingering elements of early Queen — the pastoral folk of “39,” the metallic menace of “Death on Two Legs” — dovetailed with an indulgence of camp and a truly, well, operatic scale. Here, the eccentricities are trimmed back somewhat — they still bubble up on “The Millionaire Waltz,” an example of the music hall pop that dominated Night, the pro-Native American saga “White Man” is undercut somewhat by the cowboys ‘n’ indians rhythms — in favor of a driving, purposeful hard rock that still could have some slyly hidden perversities (or in the case of the opening “Tie Your Mother Down,” some not-so-hidden perversity) but this is exquisitely detailed hard rock, dense with minutiae but never lush or fussy. In a sense, it could even function as the bridge between Sheer Heart Attack and Night at the Opera — it’s every bit as hard as the former and nearly as florid as the latter — but its sleek, streamlined finish is the biggest indication that Queen has entered a new phase, where they’re globe-conquering titans instead of underdogs on the make.

 

Side one
1.  Tie Your Mother Down  (4:48)
2.  You Take My Breath Away  (5:09)
3.  Long Away  (3:34)
4.  The Millionaire Waltz  (4:54)
5.  You and I  (3:25)

Side two
1.  Somebody to Love  (4:56)
2.  White Man  (4:59)
3.  Good Old-Fashioned Lover Boy  (2:54)
4.  Drowse  (3:45)
5.  Teo Torriatte (Let Us Cling Together)  (5:50)

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