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November 12, 2016

Prince – 1999 (1982) – 2Lp

by Record Facts

Prince Rogers Nelson (June 7, 1958 – April 21, 2016), known mononymously as Prince, was an American singer-songwriter, multi-instrumentalist, and record producer. He was a musical innovator who was known for his eclectic work, flamboyant stage presence, extravagant dress and makeup, and wide vocal range. His music integrates a wide variety of styles, including funk, rock, R&B, new wave, soul, psychedelia, and pop.

prince-1999

 

 

 

 

 

 

 

 

 

 

 

Artist:  Prince
Title:  1999
Year:  1982
Format:  2LP
Label:  Warner Bros. Records
Catalog#  923720-1

1999 is the fifth studio album by American recording artist Prince and the first to feature his backing band The Revolution. It was released on October 27, 1982 by Warner Bros. Records. 1999 was Prince’s breakthrough album.

With Dirty Mind, Prince had established a wild fusion of funk, rock, new wave, and soul that signaled he was an original, maverick talent, but it failed to win him a large audience. After delivering the sound-alike album, Controversy, Prince revamped his sound and delivered the double album 1999. Where his earlier albums had been a fusion of organic and electronic sounds, 1999 was constructed almost entirely on synthesizers by Prince himself. Naturally, the effect was slightly more mechanical and robotic than his previous work and strongly recalled the electro-funk experiments of several underground funk and hip-hop artists at the time. Prince had also constructed an album dominated by computer funk, but he didn’t simply rely on the extended instrumental grooves to carry the album — he didn’t have to when his songwriting was improving by leaps and bounds. The first side of the record contained all of the hit singles, and, unsurprisingly, they were the ones that contained the least amount of electronics. “1999” parties to the apocalypse with a P-Funk groove much tighter than anything George Clinton ever did, “Little Red Corvette” is pure pop, and “Delirious” takes rockabilly riffs into the computer age. After that opening salvo, all the rules go out the window — “Let’s Pretend We’re Married” is a salacious extended lust letter, “Free” is an elegiac anthem, “All the Critics Love U in New York” is a vicious attack at hipsters, and “Lady Cab Driver,” with its notorious bridge, is the culmination of all of his sexual fantasies. Sure, Prince stretches out a bit too much over the course of 1999, but the result is a stunning display of raw talent, not wallowing indulgence.

 

Side one
1.  1999  (6:15)
2.  Little Red Corvette  (5:03)
3.  Delirious  (4:00)

Side two
1.  Let’s Pretend We’re Married  (7:21)
2.  D.M.S.R.  (8:17)

Side three
1.  Automatic  (9:28)
2.  Something in the Water (Does Not Compute)  (4:02)
3.  Free  (5:08)

Side four
1.  Lady Cab Driver  (8:19)
2.  All the Critics Love U In New York  (5:59)
3.  International Lover  (6:37)

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